Ellie
Mannette
Dear Friends,
We recently forwarded to you
an e-mail we received about Ellie Manette. We believe that it's
beneficial to all pan lovers and Trinbagonians to know, understand
and appreciate the great efforts and sacrifices Mr. Manette made to
pursue his singular contribution to the evolution of our wonderful
instrument , the pan.
Based on some of the
comments we received, there seems to be a silent conflict developing
between the T&T attitude to pan and the "Foreign"
attitude to pan. Presently, such a conflict, if it truly is
developing may appear silly. If however it is not stifled now, it can
grow into a destructive force endangering all the years of devotion
and tireless struggle by so many tuners , arrangers, players,
sponsors, promoters, fans and innovators who've payed with their
blood, sweat and tears to bring the pan to where it is now.
Mr Mannette's creativity,
devotion and contribution to the development of pan must never be
denigrated. Like any great artist he will experience and express
emotional excesses. Vincent cut off his ear and sent it to the woman
he loved because she left him. Maybe Mr Mannette's bitterness to our
beloved T&T stems from that same feeling of being misunderstood
and eventually forsaken by a community he cares deeply for. (I
believe that his bitterness stems from the fact that he still cares).
We Trinis are a people who
carry a quiet but deeply abiding love for our heritage. We don't brag
too much or try to convince others of our love for our birthplace.
But our love is strong and because of that we're crushed if we're
made to feel like outcasts by our own (like Mr Mannette), or if our
beautiful country is criticized at the pleasure of foreign ears (like
all who feel betrayed by Mr Mannette's comments).
No one must deny the work
that so many pan people including Mr Mannette have been doing over
the years to educate the world about the pan. One must be blind to
not see the great strides pan has made in the outside world because
of the efforts of these devoted individuals. Pan is everywhere. There
are tuners and players and arrangers springing up all over the world.
But Trinis should never fear
that the pan will ever cease being a Trinidad & Tobago
instrument. This unique instrument couldn't have been born anywhere
else. There's a spirit that evolved among our people that gave rise
to a need to marry metal, rhythm and melody. This spirit permeates
our entire being. It's reflected in our attitude, our movement, our
speech, our taste. It comes from our combinations of races and
religions and cultures and a history that stimulated interplay and
yet allowed us to retain much of the original values of our forefathers.
A number of unique
innovations were born from this spiritual pelau, the most significant
being pan. This unique spirit can never be duplicated. It can be
transported but never duplicated. This is apparent in the
proliferation of our carnivals, our music, our food, our love for
life and our devotion to duty. Mr Mannette, like so many of us who
live outside of T&T has transported the spirit. In trying to
duplicate, the world will learn many lessons and benefit greatly.
Finally, we didn't write
that article nor the comments that preceded it. All we did was
forward the email we received. We believe in openness and that it's
important to share and discuss these bits of news and opinions. Our
duty is to confront any semblances of conflict that may disrupt the
progress of this instrument we love.
Personally I have the
greatest love and admiration for Mr Mannette and the brilliant work
he continues to do. I'm saddened by his attitude towards our
homeland. If others are propagating this continued bitterness,
they're doing him a grave injustice. He is truly a great Trini and
we're proud of him!! COME HOME FOR A VISIT ELLIE!! YOUR COUNTRY LOVES YOU!!!
Kamalo Deen